{"id":7953,"date":"2026-08-04T13:02:04","date_gmt":"2026-08-04T11:02:04","guid":{"rendered":"https:\/\/booksfactory.pl\/blog\/book-printing-paper-under-pressure-what-the-cepi-2025-data-means-for-publishers\/"},"modified":"2026-10-01T13:28:09","modified_gmt":"2026-10-01T11:28:09","slug":"book-printing-paper-under-pressure-what-the-cepi-2025-data-means-for-publishers","status":"publish","type":"post","link":"https:\/\/booksfactory.pl\/blog\/book-printing-paper-under-pressure-what-the-cepi-2025-data-means-for-publishers\/?lang=en","title":{"rendered":"Printing Paper Under Pressure: CEPI 2025 Data for Publishers"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-1024x768.jpg\" alt=\"A paper warehouse containing large rolls of raw material used by Books Factory to produce books.\" class=\"wp-image-7924\" srcset=\"https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-1024x768.jpg 1024w, https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-300x225.jpg 300w, https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-768x576.jpg 768w, https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"wp-block-paragraph\">The paper market rarely makes the front pages. For publishers and authors, however, it is one of the factors that determine everything: what the inside block will be printed on, how thick the copy will be, how quickly a reprint can be produced and how much freedom is left when choosing a binding.<br \/><br \/>The latest statistics from CEPI, the confederation bringing together European pulp and paper industry associations, paint a picture that cannot be shrugged off. Production is falling, and the segment shrinking fastest is precisely the one books are printed from. It is worth understanding what lies behind this before planning your next title.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">What the CEPI Data for 2025 Shows<\/h2>\n\n<p class=\"wp-block-paragraph\">Paper and board production in CEPI member countries reached 77.4 million tonnes in 2025, 1.6% less than a year earlier. This is not a one-off stumble: preliminary data from the first quarter of 2026 points to a further decline of 2.4% compared with the same period last year.<br \/><br \/>A few figures that put the scale of the phenomenon in order:<\/p>\n\n<ul class=\"wp-block-list\">\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\">620 companies and 740 production mills in CEPI countries, down 2.1% and 2.5% respectively year on year,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\">1,142 operating paper machines, against 2,200 in 1991,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\">a capacity utilisation rate of 80.7%, compared with 82.7% a year earlier,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\">176,387 people directly employed and EUR 95 billion in turnover,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\">capital expenditure of EUR 4.5 billion, 10% lower than in 2024.<\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\">The last point deserves emphasis. A drop in production can be cyclical in itself, but a drop in investment alongside machine closures means that production capacity is leaving the market for good. Jori Ringman, Director General of CEPI, summed it up in his commentary on the report: &#8222;A slow drift may be less visible than a sudden shock.&#8221;<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">Graphic Papers, the Segment Books Come From<\/h2>\n\n<p class=\"wp-block-paragraph\">The headline decline of 1.6% masks something far more important for the publishing industry. The overall figure holds up reasonably well thanks to packaging, where production remained almost stable (down 0.1% to 49.51 million tonnes). Graphic papers, the group covering printing and writing papers, fell by 7.3% over the same period, to 16.07 million tonnes.<br \/><br \/>The details are even more telling. This is how production changed in 2025 across the grades that genuinely end up in books:<\/p>\n\n<ul class=\"wp-block-list\">\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>uncoated woodfree paper<\/strong> \u2013 5.72 million tonnes, down 4.7%; the basis of the inside block in most text-driven books,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>coated woodfree paper<\/strong> \u2013 2.89 million tonnes, down 6.2%; the grade used for illustrated editions and photographic reproduction,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>uncoated mechanical paper<\/strong>\u2013 2.59 million tonnes, down 10.9%; the group that includes the bulky papers used in books and catalogues,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>coated mechanical paper<\/strong> \u2013 2.36 million tonnes, down 10.8%,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>newsprint<\/strong> \u2013 2.52 million tonnes, down 7.3%.<\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\">To this must be added a part that is easy to forget when planning a book, because it concerns not the block but the binding. Binding board, stiffeners and materials for hardcovers fall under other paper and board for packaging, a category that contracted by 3.8%, while cartonboard, used among other things in slipcases and collector&#8217;s editions, fell by 5.4%.<br \/><br \/>In other words: the pressure affects both layers of the book \u2013 what is inside, and what wraps around it.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">Thirty Years of Shift in a Single Chart<\/h2>\n\n<p class=\"wp-block-paragraph\">It is worth taking a wider view, because the current decline forms part of a much longer process. In 1991, printing and writing papers accounted for 35.9% of European paper production, with newsprint adding a further 12.5%. By 2025 the figures were 17.5% and 3.3% respectively. Over the same period, the share of packaging paper and board rose from 40.8% to 64%.<br \/><br \/>European papermaking is not so much shrinking as reorienting itself. Production capacity is migrating towards packaging, because that is where demand is growing, driven by e-commerce and logistics. One graphic paper machine after another is being converted to containerboard production or shut down.<br \/><br \/>For the book market this means one very concrete thing: the raw material base for book printing is narrower today than it was a decade ago, and it will continue to narrow, even if the publishing industry itself is doing well.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">Imports, Competition and What Is Happening Outside Europe<\/h2>\n\n<p class=\"wp-block-paragraph\">The second thread of the report concerns where the paper on the European market comes from. The share of imports from outside CEPI countries in EU consumption rose to 7.7%, the highest level on record. Exports still account for more than 20% of European production, but the trade balance with countries outside CEPI is deteriorating.<br \/><br \/>CEPI points to two factors: foreign state support for producers and asymmetric conditions of competition. As a result, part of Europe&#8217;s production capacity is disappearing, and the gap is being filled by material shipped in from more distant markets, with a longer and less predictable supply chain.<br \/><br \/>From a publisher&#8217;s perspective this translates into one practical question: how stable is access to a specific paper grade in a specific grammage when a reprint is needed. The narrower the European graphic paper segment, the more it matters whether a printing house works with widely available papers or with niche items.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">The Other Side of the Coin: Europe Still Holds Strong Cards<\/h2>\n\n<p class=\"wp-block-paragraph\">It would be unfair to stop at the declines, because the report also shows areas where European papermaking remains unrivalled. Three figures speak for themselves:<\/p>\n\n<ul class=\"wp-block-list\">\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>91.8% of the wood<\/strong> used by European mills comes from the European market, and almost all secondary raw materials are sourced locally by the industry,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>76.4%<\/strong> is Europe&#8217;s paper recycling rate, the highest in the world; the industry used 45.3 million tonnes of paper for recycling, equivalent to 58.5% of total paper and board production,<\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><strong>66%<\/strong> of the fuels consumed in the pulp and paper industry came from sustainable biomass (2024 data), while specific CO2 emissions fell by 10.2%.<\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\">Speciality papers deserve a separate mention. Their production grew by 1.2% in 2025, to 10.7 million tonnes, and Europe remains the world&#8217;s largest producer and exporter of them. This is the group of papers with enhanced properties: optical, mechanical, tactile. In other words, precisely those reached for when it comes to finishes, endpapers and editions where form is part of the message.<br \/><br \/>A clear division emerges from this: mass volume is flowing away, while specialisation and quality are staying. For a publisher who bets on a finely crafted book, that is a good signal rather than a bad one.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">Europe in a Global Context<\/h2>\n\n<p class=\"wp-block-paragraph\">The figures above describe Europe. It is worth stepping back for a moment to see how that picture sits against the rest of the world, because the contrast explains a great deal.<br \/><br \/>In 2024, global paper and board production came to 430.9 million tonnes and grew by 3.7%. Europe&#8217;s share of that total was 18.2%, against 53.2% for Asia and 16.7% for North America. The direction of travel differs just as sharply as the volumes: while world production was expanding, European output was contracting. The pulp figures tell a related story. Of 187.9 million tonnes produced worldwide, the CEPI area accounted for 18.4%, Asia for 29.1%, North America for 26.7% and Latin America for 19.6% \u2014 the last of these being where much of the eucalyptus pulp used in book papers originates.<br \/><br \/>Consumption reveals the same imbalance from the other side. Asia absorbs 53.7% of global paper and board consumption, Europe 15.7%. Europe therefore consumes a smaller share of the world&#8217;s paper than it produces, and exports the difference: more than 20% of European production goes abroad, while imports from outside CEPI countries now cover 7.7% of consumption, a record.<br \/><br \/>The conclusion for publishers is not that Europe has become marginal. It is that Europe is no longer where most of the world&#8217;s paper is made, while remaining where a great deal of the paper best suited to book work is made \u2014 including speciality grades, in which the continent is still the world&#8217;s largest producer and exporter. That is precisely the segment now under pressure, and precisely why the shift described in this report reaches the desk of anyone planning a book.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">What This Means for Publishers and Authors<\/h2>\n\n<p class=\"wp-block-paragraph\">Data is one thing, publishing decisions another. The conclusions below are not a forecast of prices or lead times, but consequences of the market structure the report describes.<\/p>\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Plan the Paper Alongside the Title, Not After Editing<\/h3>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/booksfactory.pl\/blog\/printing-a-book-for-the-first-time-here-is-what-you-need-to-know\/?lang=en\" data-type=\"link\" data-id=\"https:\/\/booksfactory.pl\/blog\/drukujesz-ksiazke-po-raz-pierwszy-oto-co-musisz-wiedziec\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline\">Choosing paper is often treated as the last step<\/span><\/a>, just before sending the files to print. With the graphic paper segment contracting, that is a risky order of events. Grade, grammage and bulk all affect the thickness of the block, and that in turn affects the design of the spine and cover. Settling the paper early means fewer corrections at the end.<\/p>\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Allow for an Alternative in the Specification<\/h3>\n\n<p class=\"wp-block-paragraph\">The most practical thing you can do: instead of naming one specific paper, describe the requirements. Shade (white, cream), grammage, bulk, opacity, grain direction. A specification of this kind makes it possible to select a substitute with comparable parameters when the first choice is temporarily unavailable, without changing the look or the extent of the book.<\/p>\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Rethink the Print Run Instead of Freezing It in a Warehouse<\/h3>\n\n<p class=\"wp-block-paragraph\">The classic response to supply uncertainty is to order several years&#8217; worth of stock in advance. In practice this means frozen capital, the risk of the title ageing and warehousing costs. Digital printing allows that logic to be reversed: smaller print runs, more frequent reprints, decisions based on actual sales rather than on a forecast made two years earlier.<\/p>\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Treat Form as Value, Not as an Add-On<\/h3>\n\n<p class=\"wp-block-paragraph\">If European papermaking is specialising in higher-value segments while mass volume flows away, then the direction for publishers takes a similar shape. Editions where the paper, the binding and the finishes matter hold up better than mass production competing on scale alone.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">The Books Factory Perspective<\/h2>\n\n<p class=\"wp-block-paragraph\">As a digital book printing house, we look at this data from a specific place in the chain: between the paper mill and the publisher. A few observations that follow from that position.<br \/><br \/>First, the narrower the graphic paper segment becomes, <a href=\"https:\/\/booksfactory.pl\/blog\/how-to-match-paper-weight-to-the-type-of-book\/?lang=en\" data-type=\"link\" data-id=\"https:\/\/booksfactory.pl\/blog\/jak-dobrac-gramature-papieru-do-rodzaju-ksiazki\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline\">the more it matters that paper is chosen deliberately at the design stage<\/span><\/a>. A conversation about which parameters genuinely matter for a given title, and which are simply habit, saves a good deal of trouble later on.<br \/><br \/>Second, the experience of the lockdown period left us with a lasting habit. At a time when supply chains were breaking in several places at once, we maintained continuity of production and availability of papers \u2013 something few managed back then. We turned the lessons of that period into standing practice: we do not plan our supply purely for the current season, but track the raw material market and the state of our own stock on a daily basis, responding early to any signal that supply is tightening.<br \/><br \/>Third, flexibility of print run is ceasing to be a convenience and becoming a form of risk management. A publisher able to print less and come back for a reprint responds more calmly to fluctuations in supply than one who orders the entire volume once every few years.<br \/><br \/>Fourth, it is worth keeping a sense of proportion between what can be changed and what remains out of reach. The structure of the European paper market shifts regardless of any single publishing house&#8217;s decisions. How a title is planned, how the specification is built and what print run policy is adopted, on the other hand, are entirely on the publisher&#8217;s side.<\/p>\n\n<h2 class=\"wp-block-heading\" style=\"font-size:24px\">Conclusion<\/h2>\n\n<p class=\"wp-block-paragraph\">The CEPI report for 2025 does not describe a sudden crisis, but a slow shift. Paper and board production in Europe fell by 1.6%, yet graphic papers, the grades books are made from, lost 7.3% and have been losing ground steadily for years, while the packaging segment has grown to 64% of European production. At the same time, Europe retains its global lead in recycling, its raw material independence and its position as the leader in speciality papers.<br \/><br \/>For the publishing industry, the fairest conclusion is this: the raw material base for book printing has narrowed and calls for earlier planning, a more flexible specification and a more considered print run policy. This is no reason to panic, only a reason to bring order to the process. And a well-designed book, thought through in terms of paper and binding, holds its ground all the more firmly the tougher the market around it.<\/p>\n\n<p class=\"wp-block-paragraph\">Sources:<\/p>\n\n<ul class=\"wp-block-list\">\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><a href=\"https:\/\/www.cepi.org\/wp-content\/uploads\/2026\/07\/Cepi-Key-Statistics-2025-FINAL.pdf\" data-type=\"link\" data-id=\"https:\/\/www.cepi.org\/wp-content\/uploads\/2026\/07\/Cepi-Key-Statistics-2025-FINAL.pdf\" target=\"_blank\" rel=\"noopener\">CEPI Report<\/a><\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><a href=\"https:\/\/www.cepi.org\/definitions-and-concepts-in-the-pulp-and-paper-industry-statistics\/\" data-type=\"link\" data-id=\"https:\/\/www.cepi.org\/definitions-and-concepts-in-the-pulp-and-paper-industry-statistics\/\" target=\"_blank\" rel=\"noopener\">CEPI Press note<\/a><\/li>\n\n\n\n<li style=\"margin-right:var(--wp--preset--spacing--50);margin-left:var(--wp--preset--spacing--50)\"><a href=\"https:\/\/rynek-ksiazki.pl\/aktualnosci\/europejski-przemysl-papierniczy-w-trudnym-punkcie-zwrotnym\" data-type=\"link\" data-id=\"https:\/\/rynek-ksiazki.pl\/aktualnosci\/europejski-przemysl-papierniczy-w-trudnym-punkcie-zwrotnym\" target=\"_blank\" rel=\"noopener\">Rynek-Ksi\u0105\u017cki<\/a><\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>European paper production fell by 1.6% in 2025, and graphic papers by as much as 7.3%. We look at what the CEPI report means for the availability of book printing paper and how to plan your editions sensibly.<\/p>\n","protected":false},"author":2,"featured_media":7954,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[69,67,1],"tags":[],"class_list":["post-7953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analyses","category-industry-news","category-uncategorized"],"rttpg_featured_image_url":{"full":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03.jpg",1200,900,false],"landscape":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03.jpg",1200,900,false],"portraits":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03.jpg",1200,900,false],"thumbnail":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-150x150.jpg",150,150,true],"medium":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-300x225.jpg",300,225,true],"large":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03-1024x768.jpg",1024,768,true],"1536x1536":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03.jpg",1200,900,false],"2048x2048":["https:\/\/booksfactory.pl\/blog\/wp-content\/uploads\/2026\/08\/35_Europejski-przemysl-papierniczy_1200x900_03.jpg",1200,900,false]},"rttpg_author":{"display_name":"Gabriel Augustyn","author_link":"https:\/\/booksfactory.pl\/blog\/author\/gaugustyn\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/booksfactory.pl\/blog\/category\/analyses\/?lang=en\" rel=\"category tag\">Analyses<\/a> <a href=\"https:\/\/booksfactory.pl\/blog\/category\/industry-news\/?lang=en\" rel=\"category tag\">Industry News<\/a> <a href=\"https:\/\/booksfactory.pl\/blog\/category\/uncategorized\/?lang=en\" rel=\"category tag\">Uncategorized<\/a>","rttpg_excerpt":"European paper production fell by 1.6% in 2025, and graphic papers by as much as 7.3%. We look at what the CEPI report means for the availability of book printing paper and how to plan your editions sensibly.","_links":{"self":[{"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/posts\/7953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/comments?post=7953"}],"version-history":[{"count":11,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/posts\/7953\/revisions"}],"predecessor-version":[{"id":8009,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/posts\/7953\/revisions\/8009"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/media\/7954"}],"wp:attachment":[{"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/media?parent=7953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/categories?post=7953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/booksfactory.pl\/blog\/wp-json\/wp\/v2\/tags?post=7953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}